Corrie Wright’s transdisciplinary art practice operates within the context of interaction, collaboration and process. Working in a diversity of forms and processes Corries practice reflects a strong relational role for art, one about people & place. Working within individual practice, community arts development including the disability sector, public art and installation the process empowers people from marginal groups to deliver self-determination outcomes, develop imaginative choices and opportunities for independent living.
Printing is my passion. I love making marks and images with objects and plates, using many techniques. Favourite methods involve photopolymer plates, and collagraphs, where the printing plate is essentially a collage.
An initial interest in science and biology can be seen in my artwork, along with the influence of a somewhat feral childhood along the Canning River, Western Australia.
I am strongly influenced by a love of the colours, forms, patterns and designs of plants, and by botanical illustrations.
I also explore abstraction, especially of botanical forms, sometimes through fragmentation of print editions and then collage.
Until my acquisition of a press in 2004, I initially focused on papermaking, fabric printing and batik, but since then my main focus has been on printmaking.
My arts practice is changing and evolving with new environmental directions and passions. I find myself comfortable expressing these through different mediums, varying from an eco dye pot, brush to an etching press, or speaking out through my community filmmaking. So much to say and so much to learn, I feel I will be creating to my last breath.
My newest venture is along the Healing Arts path. Reversible wearable art coats and clothing infused with Australian Bush Essence for healing. Life is never dull on the creative path.
Artist. Printmaker. Designer.
With a love for printmaking, following a career in graphic design, I love to share my skills and explore all printmaking media.
Printmaking gives me a space of calming respite from a culture of haste and automation. I love combining the meditative craft of relief and intaglio printing with capturing the slower pace of life in the natural world as the subject of my work. In my experiences of nature and its translation through the act of printmaking, I am reminded to be still and present in daily life.
I am the wife of a contemporary war veteran and my printing practice gives me respite from the sometimes chaotic world of the PTSD that we both live with and manage. I use my work as a way to share with and remind others of the calming effects of the sometimes quirky moments the natural world can bring to their own busy lives.
Heather Gall, an experienced landscape painter, children's book illustrator and tutor, paints across mediums > Oils, acrylics, mixed media and watercolour.
Heather's studio, overlooking the ancient Glass house Mountains on the family dairy farm is open by appointment and for the Arts Connect Inc. Open Studios program.
Access is disabled friendly, with car parking for up to 10 cars /small bus.
I have been painting and drawing animals for many years, enjoying a successful career in the UK. Moving to Australia quite a few year ago offered new opportunities and challenges, taking part in workshops, exhibitions and classes to learn new techniques and media, and make friends. In recent years I have really enjoyed improving my skills with coloured pencils, I find they are really suited to fur, eyes and noses! I now undertake regular commissions, work with a local artisan food producer on illustrations of animals and food, and enter a few art exhibitions and events when I have work available.