My art and design works are photographic images which I choose to use either traditionally or to form the basis of contemporary and composite pieces. I love the sense of being able to construct pieces to my own design as a painter may do, but also work with the more formal photographic works as produced 'in camera'
All my works are available for sale printed on either canvas, specialist photo paper or fabric and can be printed to a range of required sizes.
Working across new media, ceramics, painting and installation Turner's work evokes the landscape of her childhood: central Queensland, a place of dry grass, listless cattle and the scorching sun. Poignantly, memories of bodily responses to this landscape form the foundation of Turner's work.
Chris Blake has been painting for over thirty years. He is a multi-award winning artist, working in pastels, oils, acrylics and pen and wash, and is a master pastellist with the Pastel Society of Australia.
His favourite subjects include outback, marine and town scenes. His style is vibrant impressionist. Whatever he does, it is usually exciting and dramatic. Chris could be described as a tonal colourist. In his paintings, he pushes tones to their dark and light extremes while also layering colour to create intensity and depth.
Chris is also a dynamic tutor and demonstrator, giving speedy and informative demonstrations of technique, while at the same time adding spice with interesting, humorous stories and anecdotes. He teaches classes on Tuesday mornings in his own studio and ensures that his students learn as much as they can while still having a lot of fun.
Chris has collaborated with Unison Pastels, UK, to develop the Blake Outback sets of pastels. His work is represented in a number of private collections in Australia and overseas. It can be seen on the website www.chrisblakeart.com , on his facebook page, ‘The Blake Studio’, and at his own studio in Landsborough by appointment (07 5439 9558).
Currently enjoying the process of “seeing” and expression through weekly untutored life drawing using a variety of media. A new area of exploration for me is botanical drawing/painting and the slower, intense observation required. This has made me much more aware of the plants around me and their diversity, enhancing my everyday world and the passing seasons.
From direct observation, I’m also exploring the world of memories using a variety of painting and drawing media.
I am a machine operator based out of townsville.i learned metal fabrication in Tasmania in the mid 90's as a prerequisite to employment with incat.i have aspirations to step into more abstract work with my goal being long lasting pieces that give first time viewers a bit of a pleasant surprise..i aim to improve on each piece I create and the skills learned through the process often lend themselves to some interesting trouble shooting on builds
A former Graphic Designer, I have developed a good eye for design, form and colour and use this in telling stories through the subjects of teacups and portraits.
I have a deep interest in people and enjoy the challenge of capturing something of their personality in my depictions of them.
I also enjoy communicating my ideas and skills to others on a regular basis in Nambour where we have lots of fun in the process!
Am open to invitations to tutor ad to commission work and have been honoured with several 1st prizes for both my Portrait and Still Life work.
I started painting about 8 years ago with no prior knowledge or experience. My interest developed after trying to help my disabled daughter, Kimberley. She has now retired but I found I like to paint.
My style is still developing and I have experimented with all mediums. Currently I like to paint wildlife in a realistic style, however this concept can be demanding and requires a lot of research into the anatomy of the particular animal being painted and concentration to get the right composition, structure and colours.
Steve Parish sees himself working in two creative spaces as a photographer. The first, is through the eye of a naturalist/educator. The second, as an artist. At times, these two spaces overlap.
However, as a naturalist/educator he is more inclined to compose and produce his images with clear, story-telling features. When in the headspace of artist, he is more inclined to maximise the emotional pull of a composition through colour, form, texture or line. As time goes on, and especially in the digital world, he is more inclined to work in solitude and in a calm space, where his own emotions in the moment are skillfully incorporated in the production of the image.
While at the point of capture, he can apply a full gambit of techniques to realise these objectives, he can also apply additional emotional effect during the post-production process. As a photographer/publisher, he sees words as being essential and complementary to his story-telling processes.