I am a machine operator based out of townsville.i learned metal fabrication in Tasmania in the mid 90's as a prerequisite to employment with incat.i have aspirations to step into more abstract work with my goal being long lasting pieces that give first time viewers a bit of a pleasant surprise..i aim to improve on each piece I create and the skills learned through the process often lend themselves to some interesting trouble shooting on builds
I am a contemporary painter working in Maleny. My arts practice explores the relationship between painting and photography, and how each of these complicates our interpretation of how we think we see. My paintings use the temporality of hand to entice the viewer into the photographic nature of the works, only to then hopefully open a more meaningful dialogue regarding how we 'process' what we see.
Judi is a multimedia artist and her art practice includes painting, drawing, photography, videography, mixed media and writing.
Her works of art are an eclectic collection of paintings, movies, photography and books. However, regardless of the medium, her collective art practice usually records a personal visual diary of her experiences, her garden, Maleny and surrounds, and her travels.
For me the animal kingdom is the driving force behind my art as I love to delve into the diversity of animal life. My intention is to capture my subject’s character and expression, incorporating their humour, their majesty and wonder, and as a result, the painting then tells its own story.
Steve Parish sees himself working in two creative spaces as a photographer. The first, is through the eye of a naturalist/educator. The second, as an artist. At times, these two spaces overlap.
However, as a naturalist/educator he is more inclined to compose and produce his images with clear, story-telling features. When in the headspace of artist, he is more inclined to maximise the emotional pull of a composition through colour, form, texture or line. As time goes on, and especially in the digital world, he is more inclined to work in solitude and in a calm space, where his own emotions in the moment are skillfully incorporated in the production of the image.
While at the point of capture, he can apply a full gambit of techniques to realise these objectives, he can also apply additional emotional effect during the post-production process. As a photographer/publisher, he sees words as being essential and complementary to his story-telling processes.
Fibre has always held a special allure for Liz and she likes nothing more than incorporating special pieces into her work. She has recently started adding metal elements enjoying the play between such diverse materials. She also enoys ecodyeing and felting and marrying those interests.
Most of my images contain figurative and ornate decorative elements. Some of my works turn word play into visual statements.
I find that drawing is the most direct medium for conveying my visual intention and idea. One chance with one pencil - with help from an eraser.
Printing involves three stages: inscribing the image, 'biting' the drawn plate and then printing the art work.
Making the handmade books involves creating making book size prints for the cover, finding beautiful fabrics plus papers to complete the journal
My arts practice is changing and evolving with new environmental directions and passions. I find myself comfortable expressing these through different mediums, varying from an eco dye pot, brush to an etching press, or speaking out through my community filmmaking. So much to say and so much to learn, I feel I will be creating to my last breath.
My newest venture is along the Healing Arts path. Reversible wearable art coats and clothing infused with Australian Bush Essence for healing. Life is never dull on the creative path.
Artist. Printmaker. Designer.
With a love for printmaking, following a career in graphic design, I love to share my skills and explore all printmaking media.
Printmaking gives me a space of calming respite from a culture of haste and automation. I love combining the meditative craft of relief and intaglio printing with capturing the slower pace of life in the natural world as the subject of my work. In my experiences of nature and its translation through the act of printmaking, I am reminded to be still and present in daily life.
I am the wife of a contemporary war veteran and my printing practice gives me respite from the sometimes chaotic world of the PTSD that we both live with and manage. I use my work as a way to share with and remind others of the calming effects of the sometimes quirky moments the natural world can bring to their own busy lives.
I have been painting and drawing animals for many years, enjoying a successful career in the UK. Moving to Australia quite a few year ago offered new opportunities and challenges, taking part in workshops, exhibitions and classes to learn new techniques and media, and make friends. In recent years I have really enjoyed improving my skills with coloured pencils, I find they are really suited to fur, eyes and noses! I now undertake regular commissions, work with a local artisan food producer on illustrations of animals and food, and enter a few art exhibitions and events when I have work available.