My arts practice is changing and evolving with new environmental directions and passions. I find myself comfortable expressing these through different mediums, varying from an eco dye pot, brush to an etching press, or speaking out through my community filmmaking. So much to say and so much to learn, I feel I will be creating to my last breath.
My newest venture is along the Healing Arts path. Reversible wearable art coats and clothing infused with Australian Bush Essence for healing. Life is never dull on the creative path.
All of Leisa’s works are influenced by her local surroundings (Booloumba Creek) as she tries to capture the essence of this 325 million year old valley in all her work. Using rocks, sand, clay, ochre, ash, wood and local species of rainforest foliage. Other media is acrylic, graphite, natural fibres and glass. All work is one of a kind and completely unique. Leisa offers workshops for adults or children’s parties, festivals or just for personal development.
I am a machine operator based out of townsville.i learned metal fabrication in Tasmania in the mid 90's as a prerequisite to employment with incat.i have aspirations to step into more abstract work with my goal being long lasting pieces that give first time viewers a bit of a pleasant surprise..i aim to improve on each piece I create and the skills learned through the process often lend themselves to some interesting trouble shooting on builds
Working across new media, ceramics, painting and installation Turner's work evokes the landscape of her childhood: central Queensland, a place of dry grass, listless cattle and the scorching sun. Poignantly, memories of bodily responses to this landscape form the foundation of Turner's work.
Working as an artist is not always confined to the studio, I am a sculptor who draws and paints with an interest how the two inform each other. Wood and metal are materials that keep me wondering how one compliments the other.
The work encompasses issues of social justice as well as political commentary in so much as an obligation to "keeping the bastards honest" The latest works are an effort to use recycled timber and question the use of what some may consider waste or discard materials giving them new life and meaning. The skill level required to using substandard materials becomes a juggle as this challenges the process of construction. This material is metephorical for the fragility of the dispossessed.
I work across many media, acrylic, gouache, pastel, oil and occasional clay and recycled materials. A love of Natural History; a 2acre block that has become a wildlife sanctuary provides inspiration for much of my work. I love to draw and sketch. My travels result in small visual notebooks and each week I join colleagues in life drawing sessions.
Corrie Wright’s transdisciplinary art practice operates within the context of interaction, collaboration and process. Working in a diversity of forms and processes Corries practice reflects a strong relational role for art, one about people & place. Working within individual practice, community arts development including the disability sector, public art and installation the process empowers people from marginal groups to deliver self-determination outcomes, develop imaginative choices and opportunities for independent living.
For me the animal kingdom is the driving force behind my art as I love to delve into the diversity of animal life. My intention is to capture my subject’s character and expression, incorporating their humour, their majesty and wonder, and as a result, the painting then tells its own story.
Throughout one’s life experience, change allows the individual to process and articulate the stages of progression; whereas loss has the ability to challenge the notions of one’s own identity.
Through the trauma of loss and the associated grief, the coherence of a social structure begins to disintegrate under the pressure of anomalies and contradictions and as it does, relationships become confused and difficult to identify.
My studio practice considers the ways in which a visual dialogue can be presented in sculptural forms which addresses individual and collective experiences with the processes of loss and grief.
Using presence and absence, reality and illusion to create metaphors for the frailty of the human body and the institutional processes involved in these stages of progression.
Heather Gall, an experienced landscape painter, children's book illustrator and tutor, paints across mediums > Oils, acrylics, mixed media and watercolour.
Heather's studio, overlooking the ancient Glass house Mountains on the family dairy farm is open by appointment and for the Arts Connect Inc. Open Studios program.
Access is disabled friendly, with car parking for up to 10 cars /small bus.