I have been painting and drawing animals for many years, enjoying a successful career in the UK. Moving to Australia quite a few year ago offered new opportunities and challenges, taking part in workshops, exhibitions and classes to learn new techniques and media, and make friends. In recent years I have really enjoyed improving my skills with coloured pencils, I find they are really suited to fur, eyes and noses! I now undertake regular commissions, work with a local artisan food producer on illustrations of animals and food, and enter a few art exhibitions and events when I have work available.
Welcome to my space!
Creation has always been a part of my life. It is my soul's voice. I have no more logical way to describe it as it takes me on journeys that require no words to beautiful realisations and wonderful insights. Over the past ten years my work has gone through many phases but I always come back to drawing with a pencil! It is the thing that lets me find the quiet place with no words that the next story flows from.
My most recent story began with a request to draw a paper plane in space and ended up with images about memory, connection, Freud and of course the purpose of living. There are also lots of inner goddess images about moving through those ideas. It paralleled moving homes and beginning in a new community. Art does that: journal life in the moment.
A former Graphic Designer, I have developed a good eye for design, form and colour and use this in telling stories through the subjects of teacups and portraits.
I have a deep interest in people and enjoy the challenge of capturing something of their personality in my depictions of them.
I also enjoy communicating my ideas and skills to others on a regular basis in Nambour where we have lots of fun in the process!
Am open to invitations to tutor ad to commission work and have been honoured with several 1st prizes for both my Portrait and Still Life work.
Printing is my passion. I love making marks and images with objects and plates, using many techniques. Favourite methods involve photopolymer plates, and collagraphs, where the printing plate is essentially a collage.
An initial interest in science and biology can be seen in my artwork, along with the influence of a somewhat feral childhood along the Canning River, Western Australia.
I am strongly influenced by a love of the colours, forms, patterns and designs of plants, and by botanical illustrations.
I also explore abstraction, especially of botanical forms, sometimes through fragmentation of print editions and then collage.
Until my acquisition of a press in 2004, I initially focused on papermaking, fabric printing and batik, but since then my main focus has been on printmaking.
Fibre has always held a special allure for Liz and she likes nothing more than incorporating special pieces into her work. She has recently started adding metal elements enjoying the play between such diverse materials. She also enoys ecodyeing and felting and marrying those interests.