A former Graphic Designer, I have developed a good eye for design, form and colour and use this in telling stories through the subjects of teacups and portraits.
I have a deep interest in people and enjoy the challenge of capturing something of their personality in my depictions of them.
I also enjoy communicating my ideas and skills to others on a regular basis in Nambour where we have lots of fun in the process!
Am open to invitations to tutor ad to commission work and have been honoured with several 1st prizes for both my Portrait and Still Life work.
My arts practice is changing and evolving with new environmental directions and passions. I find myself comfortable expressing these through different mediums, varying from an eco dye pot, brush to an etching press, or speaking out through my community filmmaking. So much to say and so much to learn, I feel I will be creating to my last breath.
My newest venture is along the Healing Arts path. Reversible wearable art coats and clothing infused with Australian Bush Essence for healing. Life is never dull on the creative path.
I am a mostly self-taught visual artist living and working on acreage in the Sunshine Coast Hinterland area of Montville, Australia.
Like smiling at people with kindness; art can transform a day for a nanosecond. In hope of this transformation, I paint stories and fleeting snapshots from life experience in ways that ring true to me. The results may be abstract or representational. I delight in spare compositions and minimal colours to mix each work from.
Corrie Wright’s transdisciplinary art practice operates within the context of interaction, collaboration and process. Working in a diversity of forms and processes Corries practice reflects a strong relational role for art, one about people & place. Working within individual practice, community arts development including the disability sector, public art and installation the process empowers people from marginal groups to deliver self-determination outcomes, develop imaginative choices and opportunities for independent living.
Printing is my passion. I love making marks and images with objects and plates, using many techniques. Favourite methods involve photopolymer plates, and collagraphs, where the printing plate is essentially a collage.
An initial interest in science and biology can be seen in my artwork, along with the influence of a somewhat feral childhood along the Canning River, Western Australia.
I am strongly influenced by a love of the colours, forms, patterns and designs of plants, and by botanical illustrations.
I also explore abstraction, especially of botanical forms, sometimes through fragmentation of print editions and then collage.
Until my acquisition of a press in 2004, I initially focused on papermaking, fabric printing and batik, but since then my main focus has been on printmaking.
All of Leisa’s works are influenced by her local surroundings (Booloumba Creek) as she tries to capture the essence of this 325 million year old valley in all her work. Using rocks, sand, clay, ochre, ash, wood and local species of rainforest foliage. Other media is acrylic, graphite, natural fibres and glass. All work is one of a kind and completely unique. Leisa offers workshops for adults or children’s parties, festivals or just for personal development.
Judi is a multimedia artist and her art practice includes painting, drawing, photography, videography, mixed media and writing.
Her works of art are an eclectic collection of paintings, movies, photography and books. However, regardless of the medium, her collective art practice usually records a personal visual diary of her experiences, her garden, Maleny and surrounds, and her travels.
I have been making art for as long as I can remember. I have a background in Speech Pathology, NLP and EFT. Just before I turned 50 I decided to dedicate myself to my artistic dreams. I am not formally trained but have spent numerous hours in lessons, workshops and courses as well as experimenting and teaching myself. I am enjoying mixed media on different substrates. I also love ceramics and art assemblage.
It has taken a long time but I finally feel authentic in expressing myself as an artist. I love functional and quirky art but also have a passion for women, faces in particular, as subject matter. My work helps me explore what it means to be a woman and connecting to one’s soul. It is my intention to keep on a roll doing more mixed media pieces as well as art assemblage to enter a number of art shows next year and setting up an online art business.
Artist. Printmaker. Designer.
With a love for printmaking, following a career in graphic design, I love to share my skills and explore all printmaking media.
Printmaking gives me a space of calming respite from a culture of haste and automation. I love combining the meditative craft of relief and intaglio printing with capturing the slower pace of life in the natural world as the subject of my work. In my experiences of nature and its translation through the act of printmaking, I am reminded to be still and present in daily life.
I am the wife of a contemporary war veteran and my printing practice gives me respite from the sometimes chaotic world of the PTSD that we both live with and manage. I use my work as a way to share with and remind others of the calming effects of the sometimes quirky moments the natural world can bring to their own busy lives.
Working across new media, ceramics, painting and installation Turner's work evokes the landscape of her childhood: central Queensland, a place of dry grass, listless cattle and the scorching sun. Poignantly, memories of bodily responses to this landscape form the foundation of Turner's work.
Steve Parish sees himself working in two creative spaces as a photographer. The first, is through the eye of a naturalist/educator. The second, as an artist. At times, these two spaces overlap.
However, as a naturalist/educator he is more inclined to compose and produce his images with clear, story-telling features. When in the headspace of artist, he is more inclined to maximise the emotional pull of a composition through colour, form, texture or line. As time goes on, and especially in the digital world, he is more inclined to work in solitude and in a calm space, where his own emotions in the moment are skillfully incorporated in the production of the image.
While at the point of capture, he can apply a full gambit of techniques to realise these objectives, he can also apply additional emotional effect during the post-production process. As a photographer/publisher, he sees words as being essential and complementary to his story-telling processes.